Posters, jewellery, textiles, photography and architecture

Kamil Ansorge has been in the field of design and motion design for over nine years. He studied multimedia in high school and then worked for 3 years at the design studio Incube as a junior graphic designer and motion designer. He also worked in cinematography for several years, specialising in camera work. Now he works as a freelancer. He is a graduate of Motion Design at Scholastika. He also works as a teaching assistant at Scholastika and is one of the leaders of the course “Studio Practice” (Atelierová praxe). In his profession, he is mainly involved in 2D motion design, which he likes to complement with stylised 3D animation. He has worked on many projects, for example for O2, Heureka, Mixit, Iqos, XPS network, etc. In 2022, he co-created an installation at the designblock for Scholastika, where he created an interactive projection, and this installation was nominated for the best school presentation. Recently, he has been working on interactive projections, installations and VJing in addition to motion design. He has been working in After Effects animation software for over 10 years and creates 90% of all projects in it.

Check out his work HERE!

Adam Štěch is a theoretician, journalist and curator who has long been involved in design, architecture, fashion and fine art. He graduated in Art History from Charles University and is a co-founder of the creative group OKOLO (laureates of Czech Grand Design, 2012) with which, since 2009, he has realised dozens of publications and exhibition projects in the Czech Republic. He is the author of a number of texts on design and architecture, which have been published both locally in Czech Republic and internationally. He is a permanent editor of Dolce Vita magazine and regularly writes for prestigious international magazines and blogs such as Wallpaper, Modernism, Damn, Cool Hunting, Domus, Architonic, Mark and SightUnseen, among others.

Markéta Ježková studied art history, aesthetics and French language at Charles University and ULB in Brussels. She is mainly interested in Renaissance and Mannerist art and the phenomenon of 16th-20th century sovereign collections. For more than ten years she has been cooperating with the Education Department of the National Gallery in Prague and works at the Centre of Rudolphine Studies of the Institute of Art History of the Czech Academy of Sciences.

He graduated from the Faculty of Education of the Masaryk University, majoring in art education and visual creation and graphic design at the Brno University of Technology. From the beginning he focused on animated graphics and video. He started as an Apple Certified Trainer for Final Cut and Motion and also worked as a freelance editor and motion designer. He has been involved in the production of many live projections, music videos and television graphics. He has also taught animation and 3D graphics as an educator at an art high school. He then joined Czech Television as an art director and motion designer, where he designed and implemented graphics for dozens of shows across channels and two complex redesigns of CT sport. After six years at CT, he moved to a marketing agency for mobile games and apps as a motion designer and now works again as a lecturer, motion designer and freelance animator.

A graduate of UMPRUM in Prague and the HISK postgraduate programme in Ghent, Belgium, Jitka Mikulicová is known for her unique and sensitive thinking within the realm of fine art, specifically painting. In addition to painting, she also works with objects and sculpture. In general, she is open to different materials and formal strategies in her work. Her approach to date includes both sensory-intuitive and conceptual rhetoric applied to contemporary painting.

Filip Trubač is a student of applied photography at the Faculty of Art and Design in Ústí nad Labem. In his free work he deals with conceptual photography, 3D art and game design.
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Martin Rýz has been working in the field of motion design since 2008, when he joined a company specialising in television and film production after graduating from the secondary vocational school of multimedia and promotional design in Prague. Over the years, he has completed a range of assignments from static 2D/3D graphics to post-production of shows and commercials, and has mastered the role of generalist in image post-production. In 2013 he switched to freelancing and continued to work in the graphics department of TV Prima, Óčko, MagicLab, PFX, Department and Oficina. As an external contractor, he cooperates with dozens of local productions and advertising agencies. In recent years, he has also worked as a lecturer at the Ladislav Sutnar Faculty of Design and Art and Prague Scholastika.

Anna Rusínová (*1998, Brno) je absolventkou ateliéru K.O.V. na pražské UMPRUM. V rámci studia absolvovala také zahraniční stáž na Oslo National Academy of the Arts v ateliéru Metal and Jewellery.

Ve své tvorbě, která se pohybuje na pomezí volných objektů, šperku a předmětů každodenního užívání, pracuje s minulými či historickými skutečnostmi, které skrze prvky nostalgie přetavuje do podob blízkých současnosti, odchylujících se od normativního vzhledu a významu. Autorské šperky vznikají technikou ztraceného vosku pomocí ruční modelace – každý z nich je tedy originálem, který se má stát extenzí těla nositele, hrou s jeho proporcemi, osobním průvodcem i talismanem.

Během své dosavadní praxe absolvovala stáže u Mariany Berecové a ve studiu Janja Prokić v Praze, stejně jako stáž v Colombe d’Humieres Studio v Paříži. Její práce byla nominována na Talente – Masters of the Future v Mnichově (2023), Czech Grand Design v kategorii Objev roku (2024) a Vogue CS Talent (2025).

https://annarusinova.cargo.site/
IG: @annnarusinova

Katarína Nábilková (*1999, Považská Bystrica) je absolventkou ateliéru K.O.V. na pražské UMPRUM. Ve své tvorbě vychází především z osobních zkušeností a zajímá ji vztah mezi tělem, pamětí a materiálem. V procesu tvorby často zkoumá křehkost materiálu, atmosféru a moment, kdy se intimní vzpomínky jednotlivce i širší kolektivní vrstvy paměti promítají do fyzické formy.
Současně s tvorbou objektů a instalací, převážně z kovu a textilu, se věnuje výrobě šperků ve svém studiu i pro e-shop.

Nedílnou součástí jejího tvůrčího procesu při vytváření šperku je experimentování během výroby, zejména při odlévání metodou ztraceného vosku a při vytváření modelů nejen z vosku, ale i z dalších materiálů. Tento přístup se výrazně promítá do výsledné podoby šperku, a to jak do jeho tvarosloví, struktury, tak i práce s povrchem, zahrnující kontrasty matu, lesku a dalších efektů, které kovy umožňují.

Její tvorba byla prezentována na řadě mezinárodních výstav, například v Mnichově během Munich Jewellery Week v Pinakothek der Moderne, v Azerbaijan Carpet Museum v Baku či na výstavě Plattform Schmuckkunst v Grazu. V Praze uvedla samostatnou výstavu Kolektivní paměť v Nika Gallery. Vystavovala také během Designbloku, kde získala ocenění Master of Crystal, i na dalších domácích a zahraničních výstavách.

IG: @k.nabilkova
www.nabilkova.com

MgA. Alice Klouzková, Ph.D., je módní designérka, pedagožka a spoluzakladatelka oděvní značky SISTERSCONSPIRACY. Ve své tvorbě propojuje současný oděvní design s tradičními textilními technikami, kterým se věnovala také během doktorského studia na UMPRUM. Má dlouholeté zkušenosti s výukou módního designu a studentům pomáhá porozumět celému procesu vzniku oděvu a rozvíjet vlastní tvůrčí přístup.